Chloe Zhao attends the official premiere of the movie “Eternals” during the 16th Rome Film Fest 2021 on October 24, 2021 in Rome, Italy. (Photo by Antonio Masiello/Getty Images for RFF)
In April of 2021, Chloé Zhao became just the second woman (and the first woman of color) to win a Best Director Oscar, this was given for her work on Nomadland. Meanwhile, Kathryn Bigelow, Patty Jenkins, Jane Campion, Ava DuVernay and other female directors continue to hold down spots among the best and brightest in their field.
On the whole, though, fewer women were directing the top-grossing films in 2021, according to the 24th edition of the Celluloid Ceiling report from San Diego State’s Center for the Study of Women in Television and Film.
Per the report, women accounted for just 12 percent of the directors working on the top 100 domestic-grossing films last year. That mark was down from 16 percent in 2020. Meanwhile, the percentage of female directors working on the top 250 films dropped from 18 percent in 2020 to just 17 per cent in 2021.
“Appearances can be deceiving. While Chloé Zhao won the Oscar last year for directing ‘Nomadland’ and Jane Campion is a frontrunner in this year’s race for ‘The Power of the Dog,’ the percentage of women directing films actually declined in 2021,” the Center’s executive director Martha Lauzen said in a statement, via The Hollywood Reporter. “Basing our perceptions of how women are faring on the well-deserved fortunes of just a few high-profile women can lead us to inaccurate conclusions about the state of women’s employment.”
The study did note, however, that the combined number of women working as directors, writers, producers, executive
producers, editors and cinematographers on the top 250 grossing films did increase slightly. In 2021, that number was 25 per cent, which was up from 23 per cent in 2020.