All the Voices in the Conversation: Uzo Aduba on National Champions | Interviews

As the film progresses you see more layers of the character. How did you tease that out for the audience?

Yeah, even though she’s tasked with her job, she’s still a person, she still has thoughts, she still has opinions. I think she saw that the intentions behind LeMarcus’s movement were good. I think she was challenged by the idea of someone who had so much potential and promise losing all of that, for something that could not be solved through this moment, through this action in her eyes. She understood what his life really looked like lawless down the road, if he were to forfeit this opportunity that’s gonna come only one time. So I think she finds her heart challenged by that. It’s easy to look at Katherine on the surface and think of her as only a fixer, which she is, but she is also someone who is trying to do her very best with what she knows. She is trying her best to help him from himself.

You deliver a stirring monologue when Katherine finally meets LeMarcus. Did you add anything from your own experience as a student athlete to it? 

Parts of it were in there, for sure. We were shooting takes and he was such a great director. He gives you space to put in your own color and background and ideas. I was able to do some of myself into the material, which was satisfying and helpful in filling out the fullness of who this woman is. I think it’s a vulnerable moment for her. She thinks she thinks of LeMarcus’ loss as her own loss. She was really trying to impart the fact that the woman you see today came from such a different place. That the truth of the matter is, they don’t know her. They think they knew who she was, what her background was, what her experiences were, but fact of the matter is, they couldn’t have been more wrong about her start in life. I think she’s lived with that for a long time; A lot of people assuming that they know who she is. That she had this really fabulous start to her life. But the truth of the matter is, she had a really humble and challenging beginning. She had to work for everything.

The film presents the very complex issue of unionizing the NCAA and what that could mean for so many people involved, but it doesn’t really take any sides on the issue. What do you think audiences will take from it because of that?

I think it’s maybe good that there’s no neat ending. In this season of life where we’ve watched a variety of actions take place in real life in the form of protest or standing up or speaking out or hashtags et cetera, there is no neat ending is there? In any of those real life stories? I think that’s actually the truth of what protest looks like. That it’s actually a disruption and an interruption. The fact is that it becomes a responsibility of the next to pick up the baton. What are you? What will your action be? What will you do? I would really love for audiences to ask themselves that question. To ask the question: what is your legacy? That’s what this film is about. What would you do to win? How are legacy stories created? How do we make them and for what? LeMarcus had the opportunity to script one particular legacy that finds himself choosing another path that is going to completely create a totally different legacy. And so I hope that when audiences walk out having heard all of the voices in the conversation that it sparks debate and sparks conversation. Then I hope it also sparks them to ask themselves what would you want your legacy to be?